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Best Feathers Forward
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| Text by Madhu Jain and Illustration by Farzana Cooper | |||||||||
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Published: Volume 20, Issue 5, May, 2012
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What is modernity? Are Indian men and women, dressed to the nines and strutting often like peacocks in their sartorial finery, truly modern, questions Madhu Jain, following a people-watching day in the reception of a diagnostic clinic in Delhi
She has a point – that morning at least. Tummies fold over and sit like tea cosies over belts. Or protrude from under tired kurtas and not-quite-so shirts. Never mind if the men are young, middle aged or elderly. Most of them waddle, not walk. It is often said that Indians have good facial features. The more kindly disposed would say that these tend to be sharper and better defined than those of many other races. Well, you must admit that most Indian babies tend to have beautifully formed features. But I hasten to add before I am accused of being racist, so do babies of all other races. No male-bashing Dutch designer and forecaster Lidewij Edelkoort, recently in Delhi for a luxury conference, made an intriguing comment. Something to ponder over alright. Ms Edelkoort is considered a prophet who susses out trends long before they materialise. Her assessment of Indian men should have them worried; hastily making their way to full length mirrors actually. “Men in this country need urgently to take a sartorial check and that will happen if they become more contemporary. Less macho perhaps.” Here was the key word – macho. I would certainly qualify the word by prefixing it with faux. The other day in the lobby of a relatively new and exorbitantly expensive hotel that has become the watering hole of the Bold, Beautiful, Young and inevitably, ubiquitously Rich, I saw groups of three or four young men strutting about. Most of them were short and stubby, far, far from godly. Their jeans or pants were so tight that they could barely walk – or appeared to be doing so awkwardly, visibly pulling their stomachs in while pushing their chests out simultaneously. Certainly, the groups of young men in the hotel that night did remind me of hunters-in-packs. They might have been dressed in what goes for the latest fashion as dictated by Bollywood. Or, Hollywood a couple of times removed. As for older men, in their quest to be with-it, they do not wear their age gracefully: badly dyed hair, clothes befitting much younger men and tense, want-to-be-cool expressions. The style quotient is sorely missing. Style not fashion as many wise men and women have said down the ages makes the man – or woman. Swagger and thrust Indian women on the other hand, especially the younger ones, are generally far better groomed than Indian men. While many men emerging from gyms and beauty parlours have something stud-like about them, the women carry themselves better – certainly less awkwardly and more importantly with far more confidence in western clothes. Increasingly, they carry their lither figures with more grace. However, they, too, are guilty of the more-is-more credo. Bling dominates. Just look around at social events: many women are walking chandeliers. Presumably, Ms Edelkoort was going beyond the mere sartorial and referring to the macho male attitudes underlying the clothes. I would like to substitute modern for contemporary to talk about our aspirations in a rapidly changing world. As a fairly young nation, one that has not yet definitively yoked off all the coils of colonialism, most of us are still negotiating our modernity. But in making that leap from third world, as we are often described, to the first world, we often falter and end up in nowhere land – like those strutting men. The late English eccentric author and wit Quentin Crisp put it succinctly: “Fashion is what you adopt when you don’t know who you are.” Modernity is elsewhere. And it is far from skin deep as our socially mobile, bold face men and women would imagine. Westoxication The sociologist has borrowed a superb word ‘westoxication’ from Iranian intellectual Jalal-e-Ahmad to describe the fascination of many of India’s social elite with the ‘commodities and fads’ produced in the West. It is a cry from modernity. MADHU JAIN IS AN AUTHOR AND A JOURNALIST. SHE WRITES FOR SEVERAL PUBLICATIONS AND IS CURRENTLY WORKING ON HER SECOND BOOK. SHE ALSO CURATES ART SHOWS. Subscribe to Verve Magazine or buy the Verve issue on stands now!
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